means the Carlotta is a former showgirl who became a movie star and later a nightclub performer and television star. For example, in the phrase "I’ve slept in shanties, Guest of the W.P.A. With that realization there is a confidence and a sense of triumph, but with an edge to it. As she goes through an outline of her life, skimming through the pages of her mental scrapbook, she builds up to the realization that, good or bad, she managed to get through her life and that she is a survivor. I've slept in shanties, guest of the W.P.A., and I'm here. "I'm Still Here" is a song written by Stephen Sondheim for the 1971 musical Follies. She describes rising from poverty during the What makes the song interesting and poignant is the very real mixture of emotions of an older person reviewing her life, seeing how the good and the bad in life are bound to come, alternately or sometimes simultaneously, and in having reached a certain age there is a sense of both cynicism and triumph. I've slept in shanties, guest of the W.P.A., but I'm here Danced in my scanties Three bucks a night was the pay, but I'm here Studio Accantus 1,713,558 views I've stuffed the dailies in my shoes, strummed ukuleles, sung the blues. In this song she sings about the many adventures she has been through during her long career, and explains that she has outlived it all. Danced in my scanties, three bucks a night was the pay, and I'm here. Since the original production many performers have included the song as part of their concert performances, often rewriting it to reflect their own careers, including "I'm Still Here" was written during the out of town tryout for June Abernathy provided an explanation of some of the terms and references in the song. 50+ videos Play all Mix - Treasure Planet - I'm Still Here (Polish) YouTube Paweł Izdebski i Sylwia Przetak - Jestem kimś (Planeta skarbów) - Duration: 7:09. Plush velvet sometimes, sometimes just pretzels and beer, but I'm here. I'm still here. ", "W.P.A." This mixture is expressed in the emotional impact of the music itself, which gradually begins to swell as the song progresses from what starts as a nightclub lounge-act performance into a brassy big-band cabaret style finish. Seen all my dreams disappear, but I'm here. Some youthful tenderness has to be left behind, but "what does not kill you, makes you stronger". I've stuffed the dailies in my shoes Strummed ukuleles, sung the blues Seen all my dreams disappear but I'm here. And, my dear, I'm still here Plush velvet sometimes Sometimes just pretzels and beer, but I'm here.


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