The site is also available in several languages.Please use the dropdown buttons to set your preferred options, or use the checkbox to accept the defaults.Scharwenka was one of the most beloved of musical figures during the late nineteenth and early twentieth centuries. Felix Weingartner, also a student of Liszt, wrote in 1936 that ‘Liszt’s touch was indescribably beautiful. At 6.30 in the evening I arrived at the palace of the esteemed woman who, having been sick for five weeks, was out of bed for the first time and who very graciously received me. ‘It is writing of an exalted kind’, wrote the critic for The Musical Courier, ‘and it gives a far deeper insight into the mature Scharwenka than any of his former works afford … [the piece] closes with truly Dionysian and bewildering brilliancy … needless to say, thunders of applause greeted the finish of the performance.’ In a letter to her sister, Amy Fay wrote: ‘On Sunday afternoon I went to hear Scharwenka play his new concerto with Mahler and the Philharmonic Orchestra. Tchaikovsky also had a high opinion of this piece saying that it stood out from the grey mediocrity of much that was then being written; and Mahler’s only recorded appearance as soloist in a piano concerto was on 20 October 1877 playing the first movement of this same B flat minor concerto in Vienna.This concerto, the finest of Scharwenka’s four—and a work for which he especially wished to be remembered—was first performed on 31 October 1908 in the Beethovensaal, Berlin.

Born in Poland, Rathaus studied composition in Vienna and in Berlin, where he taught at the Hochschule fuer Musik. In addition to a busy teaching career interspersed between concert tours, he edited the piano works of Brahms, Chopin, Liszt, and Schumann for C F Peters, editions which are still widely used. There was an element of great and massive grandeur, a tremendous force of will, and a fervent glow of imagination.’ He made seven acoustical recordings for Columbia and a large number of piano rolls. The former fully bear out the critical estimation of his playing: a robust virility combined with a tone of great sweetness and charm.Today Scharwenka is remembered, when he is remembered at all, for a piece he wrote in 1869, the Polish Dance in E flat minor, Op 3 No 1. Nach dessen Tod wirkte er als Mitglied der… Born in Poland, Rathaus studied composition in Vienna and in Berlin, where he taught at the Hochschule fuer Musik.
Among those taking part was a sixteen-year-old Claudio Arrau, who performed the master’s Theme with Variation, Op 48. 1556 trat er in die Dienste des Fürsten Mikołai der Schwarze in Vilnius. Sauer himself gave an exhibition of remarkable pianism and played the instrument with an abandon of unexampled freedom … as a pianist, as a keyboard artist, as a manipulator of finger-work in every direction possible on the piano, his playing ranks unequalled … what was surprising to me that night was the abnormal enthusiasm of the audience here in Berlin, where there is so much piano-playing by so many of the great pianists. (* um 1670; † nach 1713) war ein polnischer Komponist. Le modèle d’apprentissage automatique tient compte de différents facteurs, comme : l’ancienneté d’un commentaire, les votes d’utilité des clients et si les commentaires proviennent d’achats vérifiés. I thought that at least here the audience would be subdued and calm and considerate and reflective; but on that Sauer night all control seems to have been lost.’Mark Hambourg, one of Leschetizky’s greatest pupils, stated in 1954, ‘I do not suppose that any pianist today could play … with greater elegance than Emil Sauer’.


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