The Amsterdam-based artist known for her immersive film installations talks to Time Out about her two London shows: ‘Inventory’, which takes inspiration from the eclectic Sir John Soane’s Museum, and ‘Ghost Dwellings’, an installation which focuses on natural and economic disasters in Detroit, Cork and Japan. I adore people who don’t take themselves too seriously, but are still ambitious, creative, and get things done. Bravo. In addition to pursuing a master’s degree in feminist phenomenology and intersectional theory (!! linsiwolsie says: Jan 23, 2013 at 11:22 am More, more, more. Why should people continue to make things by hand? Even though I started crafting when I was really young (five or six), I think it stemmed from my elderly need to be under a blanket at all times. Above image: Beadwork can be tedious but fun. Never before have a read a profile about a crafter whose story is so much like mine, but mine times 1,000 in awesomeness. I’m really tall (6’0″) and starting to rock a dowager hump from spending so much of my life trying to hide the fact that I’m really tall, so a good, comfortable chair is crucial. Love it! It comes in handy almost every day. Echoing what other commentors have said, Danielle seems so relatable as a crafter! Craft on! How did the show come about?‘The show came out of a collaborative process with performance artist Ieva Misevičiūtė. Definitely packed with inspiration and insight. Such a wonderful, down to earth and hilarious interview. Danielle is my good friend, and over the years she’s made me a gorgeous scarf, a needlepoint pillow, and a felted brooch, among other things. Comments. I LOVED this interview. Instead, I was very interested in the idea of the original and the copy, because there are a lot of plaster casts on display. Above image: I keep all of my yarn remnants and turn them into crocheted blankets; every blanket has a little piece of another project built in. I was immediately taken with her hilarious writing, modern crafting and no-BS approach to life. What's one of our greatest sculptors doing making a giant painting for a car park roof in Peckham? Usually when I’m preparing a piece I make tests with different cameras and I thought maybe it’s interesting to bring that to the forefront in ‘Inventory’ – the fact that there are all these mediums a, Moscow-born, New York-based painter Sanya Kantarovsky has teamed up with performance artist Ieva Misevičiūtė for his show at Studio Voltaire, which is inspired by Mikhail Bulgakov’s surreal, satirical novel about the Devil’s visit to Moscow, ‘The Master and Margarita’. I think I lean towards classic with a twist of the absurd, so I like any designer who doesn’t take themselves too seriously. Geburtstagslied ️Schönes Geburtstagslied ️Alles Gute zum Geburtstag Susann Schönfeld Birthday Song - Duration: 2:13. By Time Out London Art made me giggle and i like the ideas about creativity sometimes being “dormant.” i think it good to take a less-pressure approach to creative “blocks.” it ebbs and flows and sometimes the ebbing part is uncomfortable, but that’s okay. On the opening night, Misevičiūtė performed on a stage shaped like ‘Behemoth’ – the book’s diabolical black cat. Above image: My 23-year-old sewing machine still gets the job done, Doug stickers and all. Love her sense of humour. Where do you look for inspiration? All rights reserved. Great interview! I’ve had the good fortune of being on the receiving end of many Danielle Henderson originals and am perpetually impressed. Thanks for this interview with a very cool lady!
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