His constant hunger for new theater and new movies taught me about appetite and newness.Interviews with leading film and TV creators about their process and craft.Get The Latest IndieWire Alerts And Newsletters Delivered Directly To Your Inbox I wanted to see Buck Henry’s face light up.We went to Mexico, where he screened his favorite films, “Taking Off.” It was as astringent as “The Graduate.” It punctured hippiedom and its platitudes. Buck Henry was the writer who would adapt the character of Mrs. Robinson into an old-money femme fatale with the gimlet-eyed gaze of a predator—a dangerous woman whose manicured fingernails were like sharpened claws and whose leopard-print underwear radiated excitement as …

He seemed to have met everyone in film, theater, comedy and music in the 20The obituaries will tell you more about Buck Henry than I can. They all seem to me to work on their own level. I wanted to show him it to say thank you. He called it “the film that will not die,” because it went on forever, but he’d always defend Beatty against industry gossip.
Buck Henry (born Henry Zuckerman; December 9, 1930 – January 8, 2020) was an American actor, screenwriter, and director. And it’s interesting to see it work out. He told me to go to the Mayan temples of Palenque, and so I did.Years passed. I’d get emails about the Warren Beatty and Peter Chelsom film “Time and Country,” which Buck co-wrote. forged a cultural cache that paved the way for future generationsHenry was the fourth writer to try to adapt Charles Webb’s 1963 novella The Graduate, about an aimless young man who drifts into an affair with an older married woman, and he was instrumental in making drastic tonal and narrative changes that transformed the main character from a self-righteous homophobe to a plaintive and over-earnest young twit who is confounded by adult hypocrisy, his own impossibly high standards and the nebulousness of his privileged west coast surroundings. He invited some young people in the audience to join us for food afterwards. And the famous people there came to say hello.


(1972). It’s a very cartoony, superficial level, but it’s at also very complicated technically. How passionate about film history. Buck Henry clearly worked only on projects that interested him, not just to keep working. He’d skewered stardom too often, and hubris too. makes me totally happy in a way that the other films I’ve written don’t, because Bogdanovich was so good at doing that tone,” Henry said. He knew, as a film lover, that I’d like her stories. It lit up his face. All rights reserved. Henry, whose previous experience had included co-creating the hit TV spy spoof Get Smart and appearing on chat shows posing as a campaigner fighting to keep animals clothed (“A nude horse is a rude horse”), was brought on to The Graduate by the director, Mike Nichols, himself an accomplished comic improviser from his double-act with Hopes for the movie were modest. He was unguarded: He told me that he wrote speeches for Sean Connery, and that he saw a French auteur – Jean Eustache – put a cigarette out on a woman’s arm in Paris in the 70s.He and Irene took me to a Cuban restaurant on Broadway. I was a young guy, a bit of a nobody, but he opened so many doors. Afterwards, he said, “you want to be famous enough to get a table, but no more than that.” He always wore a baseball cap and, as he aged and restaurants seemed to get darker, its peak had a light in it. I was just a bit player in his life. Screenwriter behind The Graduate and What’s Up Doc? https://www.indiewire.com/2020/01/buck-henry-obit-mark-cousins-1202202046 In my “The Story of Film: An Odyssey,” Buck talked about “The Graduate,” “Catch 22,” and Orson Welles. We ate plantains and black beans, a first for me. All rights reserved. They knew he was a high water mark. But seeing how he lived changed how I live.I met him and Irene — his hilarious, laconic partner — at the Edinburgh film festival in Scotland.


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